Tag: Digital Humanities

  • Posthuman Reading

    Posthuman Reading

    La Maleta de Portbou is a Spanish magazine of Humanities and Economy, edited by the philosopher Josep Ramoneda and published bimonthly in both print and digital format. The magazine is named in memory of Walter Benjamin, who committed suicide in Portbou in 1940 when he fled the Nazi persecution. Benjamin wanted to launch a journal…

  • Disrupting the Humanities: Towards Posthumanities

    Disrupting the Humanities: Towards Posthumanities

    I am very pleased to announce the publication of a special issue of the Journal of Electronic Publishing: ‘Disrupting the Humanities: Towards Posthumanities’, edited by Gary Hall and myself. This special issue consists of a selection of video-articles by contributors including Mark Amerika, Monika Bakke, Endre Dányi, Johanna Drucker, Lesley Gourlay, Sarah Kember, Silvio Lorusso, Erin Manning,…

  • The Multidimensional Scholarly Archive

    The Multidimensional Scholarly Archive

    Last month, together with Silvia Stoyanova, I delivered a lecture at the “Methodological Intersections”: Trier Digital Humanities Autumn School 2015 (which Silvia co-organised) on the topic of ‘The Multidimensional Scholarly Archive’. Underneath Silvia’s fantastic contribution. I will post my part of the lecture tomorrow. The Multidimensional Scholarly Archive Power Point Slides In this lecture, we…

  • Recursive Historiographical Work and the Responsibility of the Historian: Adrian Johns

    Recursive Historiographical Work and the Responsibility of the Historian: Adrian Johns

    Culture Machine Live, a series of podcasts which consider a range of issues including the digital humanities, internet politics, the future of cultural studies, cultural theory and philosophy, is pleased to announce its latest episode: ‘Recursive Historiographical Work and the Responsibility of the Historian: Adrian Johns‘ http://culturemachinepodcasts.podbean.com/e/recursive-historiographical-work-and-the-responsibility-of-the-historian-adrian-johns-1428923430/ This interview with historian Adrian Johns by Janneke…

  • Technogenesis and Media Specific Analysis: N. Katherine Hayles

    Technogenesis and Media Specific Analysis: N. Katherine Hayles

    Culture Machine Live, a series of podcasts which consider a range of issues including the digital humanities, internet politics, the future of cultural studies, cultural theory and philosophy, is pleased to announce its latest episode: ‘Technogenesis and Media Specific Analysis: N. Katherine Hayles‘ http://culturemachinepodcasts.podbean.com/e/technogenesis-and-media-specific-analysis-n-katherine-hayles/ This interview with literary scholar N. Katherine Hayles by Janneke Adema…

  • Software Theory – Federica Frabetti

    Software Theory – Federica Frabetti

    Culture Machine Live, a series of podcasts which consider a range of issues including the digital humanities, internet politics, the future of cultural studies, cultural theory and philosophy, is pleased to announce its latest episode: ‘Software Theory – Federica Frabetti‘ http://culturemachinepodcasts.podbean.com/e/software-theory-federica-frabetti/ This interview with media theorist Federica Frabetti by Janneke Adema focuses on Frabetti’s recently…

  • Knowledge Machines: Conference Report and Video Recordings now available

    Knowledge Machines: Conference Report and Video Recordings now available

    On the 27th of September of this year, the Centre for Disruptive Media teamed up with Kent’s TEEME programme to host Knowledge Machines: The Potential of the Digital. A Symposium on Alternative Practices for Humanities Research, at the University of Kent. A conference report is now available which you can find underneath. The video recordings of…

  • Critical Keywords for the Digital Humanities: Open Access

    Critical Keywords for the Digital Humanities: Open Access

    The Cent­re for Di­gi­tal Cul­tu­res (CDC) at Leuphana University recently started releasing a collection of keywords (from post-media to copyfight), as part of its Critical Keywords for the Digital Humanities project. I was invited to submit a contribution on open access, which you can find underneath. All the keywords are available at the CDC website…

  • Videos Aesthetics of the Humanities Seminar

    Videos Aesthetics of the Humanities Seminar

    On June 11th the Centre for Disruptive Media hosted the second seminar in the Disrupting the humanities seminar series. This seminar was entitled ‘The aesthetics of the humanities: towards a poetic knowledge production’, and featured fantastic papers by Erin Manning, Søren Pold, Johanna Drucker and Silvio Lorusso. The videos of the presentations and the discussions…

  • Knowledge Machines: The Potential of the Digital. Symposium on alternative practices in humanities research

    Knowledge Machines: The Potential of the Digital. Symposium on alternative practices in humanities research

    TEEME and The Centre for Disruptive Media present: Knowledge Machines: The Potential of the Digital. A symposium on alternative practices in humanities research Saturday, 27 September 2014 from 11:00 to 18:15 University of Kent Grimond Lecture Theatre 3 Grimond Building CT2 7NZ Canterbury United Kingdom http://www.kent.ac.uk/knowledge-machines Registration: http://www.knowledgemachines.eventbrite.co.uk/ Knowledge Machines is a free one-day symposium…

  • The perseverance of print-based authorship within humanities scholarship (III)

    The perseverance of print-based authorship within humanities scholarship (III)

    Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of course more than welcome but please take into account that these are just fragments in process which are part of a larger (undefined) ‘whole’. You…

  • The perseverance of print-based authorship within humanities scholarship (II)

    The perseverance of print-based authorship within humanities scholarship (II)

    Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of course more than welcome but please take into account that these are just fragments in process which are part of a larger (undefined) ‘whole’. You…