Tag: Sarah Kember

  • Emergent Creativity

    Emergent Creativity

    I have a new chapter out on ‘The Ethics of Emergent Creativity: Can We Move Beyond Writing as Human Enterprise, Commodity and Innovation?’ in the collection Whose Book is it Anyway? A View From Elsewhere on Publishing, Copyright and Creativity edited by Janis Jefferies and Sarah Kember. This volume has been published in open access…

  • Disrupting the Humanities: Towards Posthumanities

    Disrupting the Humanities: Towards Posthumanities

    I am very pleased to announce the publication of a special issue of the Journal of Electronic Publishing: ‘Disrupting the Humanities: Towards Posthumanities’, edited by Gary Hall and myself. This special issue consists of a selection of video-articles by contributors including Mark Amerika, Monika Bakke, Endre Dányi, Johanna Drucker, Lesley Gourlay, Sarah Kember, Silvio Lorusso, Erin Manning,…

  • Radical Open Access Conference

    Radical Open Access Conference

    Coventry University 15th – 16th of June 2015 Two days of critical discussion and debate in support of an ‘alternative’ vision for open access and scholarly communication. The aim of the conference is to explore some of the intellectually and politically exciting ways of understanding open access that are currently available internationally. A particular emphasis…

  • On Liquid Books and Fluid Humanities (part III)

    On Liquid Books and Fluid Humanities (part III)

    Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…

  • On Liquid Books and Fluid Humanities (part II)

    On Liquid Books and Fluid Humanities (part II)

    Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…

  • Experiments in editing

    Experiments in editing

    On March 7th of this year we ran our first seminar as part of the Disrupting the Humanities Seminar Series at Coventry University, which has been organised by the Centre for Disruptive media. You can find more information about this series here. The videos for this seminar, entitled ‘Disrupting the scholarly establishment. How to create…

  • Untitled post 2427

    The Centre for Disruptive Media presents Disrupting the Humanities A series of 3 half-day seminars looking at research and scholarship in a ‘posthumanities’ context, organised by the Centre for Disruptive Media at Coventry University, and held over the course of spring and summer, 2014. Disrupting the Humanities will both critically engage with the humanist legacy…

  • Forget the Book

    Forget the Book

    Yesterday I attended the excellent event Forget the Book: Writing in the Age of Digital Publishing, at Goldsmiths, University of London. The event was organised by Sarah Kember and Benjamin Pester as part of the CREATe consortium work package ‘Whose Book is it Anyway’. It featured Sean Cubitt (Goldsmiths) in discussion with Doug Sery (MIT…