Category: Remix
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Experiments in Knowledge Production. Open Access and the politics of the digital academy
Last week Michael Guggenheim (CSISP, Goldsmiths) and Noortje Marres (CSISP, Goldsmiths) convened an event about experiments in knowledge production at Goldsmiths, which included Limn, Mattering Press and Big Data and Society. Noortje Marres introduced the workshops as having two main aims. Firstly its focus is on getting to know more about the three invited initiatives in experimental…
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The Centre for Disruptive Media presents Disrupting the Humanities A series of 3 half-day seminars looking at research and scholarship in a ‘posthumanities’ context, organised by the Centre for Disruptive Media at Coventry University, and held over the course of spring and summer, 2014. Disrupting the Humanities will both critically engage with the humanist legacy…
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Forget the Book
Yesterday I attended the excellent event Forget the Book: Writing in the Age of Digital Publishing, at Goldsmiths, University of London. The event was organised by Sarah Kember and Benjamin Pester as part of the CREATe consortium work package ‘Whose Book is it Anyway’. It featured Sean Cubitt (Goldsmiths) in discussion with Doug Sery (MIT…
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Open Media Research Seminars – Series 6
Tuesday the 12th of February Ruth Catlow (Furtherfield) will give the first talk in the sixth series of Research Seminars at Coventry University on ‘Open Media’. The seminar series is accompanied by a blog that provides more information about the speakers, the theme and the seminars. You can find it here. Underneath the full program…
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Open Media Research Seminars – Series 5
Tuesday the 23rd of October Nathaniel Tkacz will give the first talk in the fifth series of Research Seminars at Coventry University on ‘Open Media’. The seminar series is accompanied by a blog that provides more information about the speakers, the theme and the seminars. You can find it here. Underneath the full program for…
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Why experiment? A critical analysis of the values behind digital scholarly publishing
Last month I presented a paper entitled ‘Why Experiment? A Critical Analysis of the Values Behind Digital Scholarly Publishing’ at the 9th International Conference Crossroads in Cultural Studies, Paris, France, July 4th, 2012, hosted by Sorbonne Nouvelle University and UNESCO. This presentation was part of the panel: ‘Publishing Cultural Studies, Now and in the Future’, with excellent papers…
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Open Media Research Seminars – Series 4
Tuesday 31st of January Tessa J. Houghton will give the first talk in the fourth series of Research Seminars at Coventry University on ‘Open Media’. The seminar series is accompanied by a blog that provides more information about the speakers, the theme and the seminars. You can find it here. Underneath the full program for…
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Open Media Research Seminars – Series 3
Tuesday November 1st media scholar William Merrin will kick off the third series of Research Seminars at Coventry University on ‘Open Media’. The seminar series is accompanied by a blog that provides more information about the speakers, the theme and the seminars. You can find it here. Underneath the full program for this term. All…
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Open Media Research Seminar Series
In two weeks the second series will commence of the Research Seminars I have been organizing at Coventry University in this term and the previous on ‘Open Media’. The seminar series is accompanied by a blog that provides more information about the speakers, the theme and the seminars. You can find it here. On his…
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New Visions For The Book – Part I
A few weeks ago the Center for History and New Media at George Mason University brought together a group of digital humanists of diverse disciplinary backgrounds as part of the unique summer institute One Week | One Tool. The aim of One Week | One Tool was to come up with an (open source) digital…
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Do not ask me to remain the same
Definitions are intrinsically time-bound. Imagine the fundamental question of ‘What is a book’. To ask this question at this moment in time means we have to take into account the present transformation or remediation of the book. Definitions concerning the nature of the book need to bare in mind its past as well as its…