Category: Remix
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Bookfuturism: Visions of the Future Book
Underneath a transcript of the talk I gave at the Norlit 2015: The Book to Come conference, which took place August 20-22 at Goteborg University. In it I outline the contours for a new research project on ‘visions of the future book’. The PP accompanying this talk can be accessed here. I want to share…
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Radical Open Access and The Politics of Publishing. A Genealogy of Affinities and Correlations
A bit belated (I will be uploading some talks I gave during the last months in the next few days), underneath the paper I gave at the Radical Open Access conference, which we hosted at Coventry University 15-16th of June. The videos from this event will be available soon, and I will announce them here…
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A Conversation on Digital Archiving Practices
A couple of months ago Davide Giorgetta and Valerio Nicoletti (both ISIA Urbino) did an interview with me for their MA in Design of Publishing. Silvio Lorusso, was so kind to publish the interview on the fantastic p-dpa.net. I am reblogging it here. Davide Giorgetta and Valerio Nicoletti are both students from ISIA Urbino, where…
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Radical Open Access Conference
Coventry University 15th – 16th of June 2015 Two days of critical discussion and debate in support of an ‘alternative’ vision for open access and scholarly communication. The aim of the conference is to explore some of the intellectually and politically exciting ways of understanding open access that are currently available internationally. A particular emphasis…
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New Models of Knowledge Production. Open Access Publishing and Experimental Research Practices (Part III)
Chapter 5 of my thesis focuses on opportunities to intervene in the current cultures of knowledge production in academia and publishing, exploring efforts to rethink and re-perform the institutions surrounding the material production of the book, as well as our own entangled scholarly communication and publishing practices. I focus in particular in this chapter on…
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New Models of Knowledge Production. Open Access Publishing and Experimental Research Practices (Part II)
Chapter 5 of my thesis focuses on opportunities to intervene in the current cultures of knowledge production in academia and publishing, exploring efforts to rethink and re-perform the institutions surrounding the material production of the book, as well as our own entangled scholarly communication and publishing practices. I focus in particular in this chapter on…
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The Monograph Crisis Revisited
Last week, on the 22nd of January, the report Monographs and Open Access, written by Geoffrey Crossick for HEFCE, was released. I would like to respond to the specific way in which the monograph crisis is described and represented in this report. I want to do so by emphasising the multiple dimensions as well as…
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Knowledge Machines: Conference Report and Video Recordings now available
On the 27th of September of this year, the Centre for Disruptive Media teamed up with Kent’s TEEME programme to host Knowledge Machines: The Potential of the Digital. A Symposium on Alternative Practices for Humanities Research, at the University of Kent. A conference report is now available which you can find underneath. The video recordings of…
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Embracing Messiness
Last week, from the 12-14th of November, I attended The Post-Digital Scholar Conference. Publishing between Open Access, Piracy and Public Spheres, in Lüneburg, organised by the Hybrid Publishing Lab. I gave a paper in the panel ‘The Mess that Open Access has become’, organised by Andreas Kirchner, and including Armin Beverungen (Leuphana University), Martin Haspelmath…
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Performative Publications
Last spring I worked on a project together with 2nd year design students Nabaa Baqir, Mila Spasova and Serhan Curti to create an alternative take on, or an artist’s book out of the article ‘The political nature of the book. On artists’ books and radical open access’, which was written by myself and Gary Hall…
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Knowledge Machines: The Potential of the Digital. Symposium on alternative practices in humanities research
TEEME and The Centre for Disruptive Media present: Knowledge Machines: The Potential of the Digital. A symposium on alternative practices in humanities research Saturday, 27 September 2014 from 11:00 to 18:15 University of Kent Grimond Lecture Theatre 3 Grimond Building CT2 7NZ Canterbury United Kingdom http://www.kent.ac.uk/knowledge-machines Registration: http://www.knowledgemachines.eventbrite.co.uk/ Knowledge Machines is a free one-day symposium…
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Experiments in editing
On March 7th of this year we ran our first seminar as part of the Disrupting the Humanities Seminar Series at Coventry University, which has been organised by the Centre for Disruptive media. You can find more information about this series here. The videos for this seminar, entitled ‘Disrupting the scholarly establishment. How to create…