OPEN REFLECTIONS

Tag: Fluidity

  • On Liquid Books and Fluid Humanities (part III)

    On Liquid Books and Fluid Humanities (part III)

    Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…

  • On Liquid Books and Fluid Humanities (part II)

    On Liquid Books and Fluid Humanities (part II)

    Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…

  • On Liquid Books and Fluid Humanities (part I)

    On Liquid Books and Fluid Humanities (part I)

    Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…

  • New Visions for the Book III: Liquid Books

    New Visions for the Book III: Liquid Books

    Part 3 – Fluidity deconstructed As Hall has shown, the use of wikis to experiment with new ways of writing and collaborating offers a lot of potential for collaborative and distributive research and publishing practices. However, I feel they are only one possible step towards liquid publications and cannot as yet be perceived as real…

  • New Visions for the Book III: Liquid Books

    Part 2 – The archive One of the suggestions made in discussions on remix to cope with the problem of authorship in the digital age, is to shift the focus from the author to the selector, the moderator or the curator. In cases where authorship is hard to establish or even absent, the archive can…

  • New Visions for the Book III: Liquid Books

    Part 1 – Fluid environments and liquid publications The ease with which nowadays continual updates can be made has brought into question not only the stability of documents but at the same time the need for and the efficiency of stable objects. Wikipedia is one of the often-cited examples of how the speed of improving…

  • Book/Body

    Anne Frances Wysocki already created the webtext or new media piece A Bookling Monument in 2002. Still, it amazed me. The manner in which Wysocki tries to grapple the similarities between the way we view and envision the body and the book, combining this with a visual presentation of her text (which is an exploration…

  • Einmal ist Keinmal

     Memory comes when memory’s old I am never the first to know    –        Fever Ray  – Last Tuesday I attended the excellent lecture series The Old Brand New, in the Stadsschouwburg in Amsterdam. The speakers that evening were the Belgian painter Luc Tuymans and the French dancer/choreographer Boris Charmatz. Their talks were reflections on the evening’s…

  • Schyzophonia. On Remix, Hybridization and Fluidity

    I read Lawrence Lessig’s Remix a few months ago, a great book with a stimulating positive approach to the whole piracy and copyright problema, focusing on finding solutions which cater to the increasingly prevailing remixed and remediated forms of digital art and culture, in which the hybrid has become common ground. Lessig discusses new musical…