Tag: Creative Commons
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The perseverance of print-based authorship within humanities scholarship (III)
Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of course more than welcome but please take into account that these are just fragments in process which are part of a larger (undefined) ‘whole’. You…
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The perseverance of print-based authorship within humanities scholarship (II)
Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of course more than welcome but please take into account that these are just fragments in process which are part of a larger (undefined) ‘whole’. You…
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Where Open Philosophy meets Open Music
Via Transversalinflections I learned about Re.Press, an Australian publisher of Open Access titles in Philosophy. Their business model is based on a free Open Access edition in combination with print sales, the model at the moment many presses are experimenting with (amongst others: Open Humanities Press, Open Book Publishers, National Academies Press, fellow Australians ANU…
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Freedom on trial?
To continue the freedom of knowledge and information debate on a more practical level, as most of you might have heard, bittorrent tracker The Pirate Bay (which I have written about before here) is currently on trial. Interesting enough the people behind The Pirate Bay and similar Swedish organizations, like Pirate Party leader Rick Falkvinge,…
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Highlights from APE 2009 – Day 1
The first day of the APE conference in Berlin, which, as mentioned before, focused on the impact of publishing in the digital age, started with a keynote by Georg Winkler from the European University Association (EUA), entitled Universities in the 21st century. Winkler started off by asking the question of what makes an university unique,…
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Highlights from APE 2009 – Preconference Day
From the 19th to the 21st of January I was in Berlin to visit this magnificent city and to go to the APE (Academic Publishing in Europe) conference. From their website: “APE Conferences encourage the debate about the future of scientific publications, information dissemination and access to scientific results. They offer an independent forum for ‘open…
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Nails and Books
Happy days for Creative Commons and NIN! Trent Reznor managed to make a huge profit selling his bands 2008 album Ghosts I-IV online, topping Amazon’s best selling list for 2008. Strange enough, the album was legally available for free at the same time (even on the same website). This nice article over at Ars Technica…
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Remix Manifesto
RiP: A remix manifesto, is the first Open Source documentary, in which film maker Brett Gaylor (founder of www.opensourcecinema.org) invites the public to remix his footage in his participatory media experiment. The documentary ‘explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall…
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Science Commons Video
Today Science Commons, a subdivision of the larger Creative Commons non-profit organization, launched a short video explaining what Science Commons stands for. Science Commons, headed by John Wilbanks, is a project that tries to improve scientific communication and research by making a plea to lower access barriers and to free locked-up research results. They want…
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An ontology of free – or: is there such a thing as freedom of knowledge?
The last couple of days I have started thinking about what the concept of free knowledge exactly entails. I want to dedicate a few future posts to this subject, in order to explore the idea to its fullest and to give it a proper categorization (at least I will try to). This can be…