OPEN REFLECTIONS

Tag: Authorship

  • Emergent Creativity

    Emergent Creativity

    I have a new chapter out on ‘The Ethics of Emergent Creativity: Can We Move Beyond Writing as Human Enterprise, Commodity and Innovation?’ in the collection Whose Book is it Anyway? A View From Elsewhere on Publishing, Copyright and Creativity edited by Janis Jefferies and Sarah Kember. This volume has been published in open access…

  • Cut-Up

    Cut-Up

    Eduardo Navas, Owen Gallagher and xtine burrough have again proven to be the main trendsetters where it concerns the field of remix studies with the publication of their second remix studies anthology, which has this time been framed around 24 essays all focused on a specific keyword of relevance to this burgeoning field. You can…

  • Bookfuturism: Visions of the Future Book

    Bookfuturism: Visions of the Future Book

    Underneath a transcript of the talk I gave at the Norlit 2015: The Book to Come conference, which took place August 20-22 at Goteborg University. In it I outline the contours for a new research project on ‘visions of the future book’. The PP accompanying this talk can be accessed here. I want to share…

  • #OAbooks in the HSS: Contexts, Conversations, Technologies and Communities of Practice

    #OAbooks in the HSS: Contexts, Conversations, Technologies and Communities of Practice

    Last week I attended the first major conference entirely dedicated to Open Access books in the HSS, in the British Library, organised by OAPEN and JISC. The two-day conference had a fantastic line-up of keynote speakers, established and new experimental projects in open access book publishing, and practical strands on funding, publishing for scholars and…

  • Notes on Unbound Books – A Conference Report (Part II)

    One of the most interesting sessions on the last day of The Unbound Book conference, was the session on Future Publishing Industries. According to the program the session focused on the affordances and political economies of the publishing industry and libraries. Underneath a small summary of three of the papers presented on the panel and…

  • Book Destruction

    Two weeks ago I attended the Book Destruction conference, which took place on the 16th of April at the Institute of English Studies, part of the University of London. The conference focused on the book as a symbol and as an idea, as well as on its material form, and explored what happens when books…

  • New Visions for the Book III: Liquid Books

    New Visions for the Book III: Liquid Books

    Part 3 – Fluidity deconstructed As Hall has shown, the use of wikis to experiment with new ways of writing and collaborating offers a lot of potential for collaborative and distributive research and publishing practices. However, I feel they are only one possible step towards liquid publications and cannot as yet be perceived as real…

  • New Visions for the Book III: Liquid Books

    Part 1 – Fluid environments and liquid publications The ease with which nowadays continual updates can be made has brought into question not only the stability of documents but at the same time the need for and the efficiency of stable objects. Wikipedia is one of the often-cited examples of how the speed of improving…

  • Who Owns Research?

    Or better yet, who should own research? Last Thursday CRASSH―the Cambridge based institute for Cultural Research in the Arts, Social Sciences and Humanities―assembled an expert panel from the publishing and library community to tackle this question.  Linda Bree (Cambridge University Press), Rupert Gatti (Open Book publishers), Gary Hall (Open Humanities Press) and Elin Stangeland (DSpace…