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The Monograph Crisis Revisited
Last week, on the 22nd of January, the report Monographs and Open Access, written by Geoffrey Crossick for HEFCE, was released. I would like to respond to the specific way in which the monograph crisis is described and represented in this report. I want to do so by emphasising the multiple dimensions as well as…
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Narratives of Book Formation (Part II)
Chapter 4 of my thesis focuses on the genealogy of the (discourse surrounding) scholarly systems of material production and the book as commodity. You can find a draft of the second part of this chapter underneath. As always, any feedback is more than welcome. You can find part 1 here. For chapter 2 of my…
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Narratives of Book Formation (Part I)
Chapter 4 of my thesis focuses on the genealogy of the (discourse surrounding) scholarly systems of material production and the book as commodity. You can find a draft of the first part of this chapter underneath, including an introduction to the 2nd section of my thesis, which also includes chapter 5, which I will publish…
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Knowledge Machines: Conference Report and Video Recordings now available
On the 27th of September of this year, the Centre for Disruptive Media teamed up with Kent’s TEEME programme to host Knowledge Machines: The Potential of the Digital. A Symposium on Alternative Practices for Humanities Research, at the University of Kent. A conference report is now available which you can find underneath. The video recordings of…
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Critical Keywords for the Digital Humanities: Open Access
The Centre for Digital Cultures (CDC) at Leuphana University recently started releasing a collection of keywords (from post-media to copyfight), as part of its Critical Keywords for the Digital Humanities project. I was invited to submit a contribution on open access, which you can find underneath. All the keywords are available at the CDC website…
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Open Education: Condition Critical
Open Education: Condition Critical A panel exploring opportunities to critically and creatively experiment with different ideas of what the university and education can be http://disruptivemedia.org.uk/ Thursday November 20th 4:30-6:30pm Coventry University Panellists: Sean Dockray (The Public School/AAAAARG.ORG) – via Skype Richard Hall (De Montfort University Leicester) Shaun Hides (Coventry University) Sharon Irish (University of Illinois/FemTechNet)…
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Videos Aesthetics of the Humanities Seminar
On June 11th the Centre for Disruptive Media hosted the second seminar in the Disrupting the humanities seminar series. This seminar was entitled ‘The aesthetics of the humanities: towards a poetic knowledge production’, and featured fantastic papers by Erin Manning, Søren Pold, Johanna Drucker and Silvio Lorusso. The videos of the presentations and the discussions…
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Performative Publications
Last spring I worked on a project together with 2nd year design students Nabaa Baqir, Mila Spasova and Serhan Curti to create an alternative take on, or an artist’s book out of the article ‘The political nature of the book. On artists’ books and radical open access’, which was written by myself and Gary Hall…
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Entangled Knowledge Production
Last June, I gave a position paper on feminism, writing and academic publishing as part of a panel on Feminist Publishing, which was convened as part of a larger conference on Feminist Writing by Sarah Kember and Sarah Ahmed for Goldsmiths’ Centre for Feminist Research. The panel also included wonderful papers by Carol Stabile, Joe…
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Knowledge Machines: The Potential of the Digital. Symposium on alternative practices in humanities research
TEEME and The Centre for Disruptive Media present: Knowledge Machines: The Potential of the Digital. A symposium on alternative practices in humanities research Saturday, 27 September 2014 from 11:00 to 18:15 University of Kent Grimond Lecture Theatre 3 Grimond Building CT2 7NZ Canterbury United Kingdom http://www.kent.ac.uk/knowledge-machines Registration: http://www.knowledgemachines.eventbrite.co.uk/ Knowledge Machines is a free one-day symposium…