Category: Copyright
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Radical Open Access Conference
Coventry University 15th – 16th of June 2015 Two days of critical discussion and debate in support of an ‘alternative’ vision for open access and scholarly communication. The aim of the conference is to explore some of the intellectually and politically exciting ways of understanding open access that are currently available internationally. A particular emphasis…
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Recursive Historiographical Work and the Responsibility of the Historian: Adrian Johns
Culture Machine Live, a series of podcasts which consider a range of issues including the digital humanities, internet politics, the future of cultural studies, cultural theory and philosophy, is pleased to announce its latest episode: ‘Recursive Historiographical Work and the Responsibility of the Historian: Adrian Johns‘ http://culturemachinepodcasts.podbean.com/e/recursive-historiographical-work-and-the-responsibility-of-the-historian-adrian-johns-1428923430/ This interview with historian Adrian Johns by Janneke…
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On Liquid Books and Fluid Humanities (part III)
Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…
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On Liquid Books and Fluid Humanities (part II)
Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…
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On Liquid Books and Fluid Humanities (part I)
Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more fluid, flowing visions of information transmission that are commonly attached to digital forms of communication. It focuses on why it is that we cut and…
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New Models of Knowledge Production. Open Access Publishing and Experimental Research Practices (Part III)
Chapter 5 of my thesis focuses on opportunities to intervene in the current cultures of knowledge production in academia and publishing, exploring efforts to rethink and re-perform the institutions surrounding the material production of the book, as well as our own entangled scholarly communication and publishing practices. I focus in particular in this chapter on…
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New Models of Knowledge Production. Open Access Publishing and Experimental Research Practices (Part II)
Chapter 5 of my thesis focuses on opportunities to intervene in the current cultures of knowledge production in academia and publishing, exploring efforts to rethink and re-perform the institutions surrounding the material production of the book, as well as our own entangled scholarly communication and publishing practices. I focus in particular in this chapter on…
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New Models of Knowledge Production. Open Access Publishing and Experimental Research Practices (Part I)
Chapter 5 of my thesis focuses on opportunities to intervene in the current cultures of knowledge production in academia and publishing, exploring efforts to rethink and re-perform the institutions surrounding the material production of the book, as well as our own entangled scholarly communication and publishing practices. I focus in particular in this chapter on…
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The Monograph Crisis Revisited
Last week, on the 22nd of January, the report Monographs and Open Access, written by Geoffrey Crossick for HEFCE, was released. I would like to respond to the specific way in which the monograph crisis is described and represented in this report. I want to do so by emphasising the multiple dimensions as well as…
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Critical Keywords for the Digital Humanities: Open Access
The Centre for Digital Cultures (CDC) at Leuphana University recently started releasing a collection of keywords (from post-media to copyfight), as part of its Critical Keywords for the Digital Humanities project. I was invited to submit a contribution on open access, which you can find underneath. All the keywords are available at the CDC website…
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Performative Publications
Last spring I worked on a project together with 2nd year design students Nabaa Baqir, Mila Spasova and Serhan Curti to create an alternative take on, or an artist’s book out of the article ‘The political nature of the book. On artists’ books and radical open access’, which was written by myself and Gary Hall…
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Knowledge Machines: The Potential of the Digital. Symposium on alternative practices in humanities research
TEEME and The Centre for Disruptive Media present: Knowledge Machines: The Potential of the Digital. A symposium on alternative practices in humanities research Saturday, 27 September 2014 from 11:00 to 18:15 University of Kent Grimond Lecture Theatre 3 Grimond Building CT2 7NZ Canterbury United Kingdom http://www.kent.ac.uk/knowledge-machines Registration: http://www.knowledgemachines.eventbrite.co.uk/ Knowledge Machines is a free one-day symposium…